Current Feature

About Tutor Voices

We want to highlight the voices of tutors through Tutor Voice articles. In these articles, tutors explore the challenges and opportunities they face in their current writing center contexts. Blending creative and academic perspectives, the Tutor Voice articles foster deeper conversations and community among writing tutors around the globe. For more details, please review the Submission Guidelines page. Interested in submitting your own Tutor Voice article? Contact us via email.

Inspiring Resilience

Tutor’s Perspective

  • MJampathomPhoto

A Sense of Sight

By |

However, now that we meet through chat, students are literally sharing their writing even more, just in the very act of getting help with their writing (How’s that for immersion?). And as they write, I am immersed in the possibility of personality once more. I start to read— to see— their lexicon, slang, accents, and tones of voice. Something weird is happening: I think even more about them as people.

Villanelle for the Writing Centre: A Monologue

By |

I am a tutor in the Writing Centre at Brescia University College, an affiliate college of Western University in London, Ontario, Canada. Writing this poem has given me the opportunity to explore and articulate some facets of the interconnectedness of my writing centre work and my creative practice.

Locating Voices

By |

I have been a writing consultant at the University of Hawai‘i at Mānoa's Writing Center. My interest in creative writing is grounded in my roots: Hawai‘i, particularly regarding issues of identity and race. Place-based pedagogy contributes to my facilitation of the collaborative process between myself and other writers.

Conceptual Lineage: A Found Poem

By |

I worked two years as a Peer Writing Assistant at Lansing Community College. As for my creative writing/center process, I have seen my writing self as two sections that don’t meet: the writing center/academic writer and the creative writer.

Writing Lab Madrigal

By |

I am classically trained, and therefore rose to this challenge to produce a conceptual piece of meta-fiction in the style of a madrigal for two voices which can be performed by the consultant and consultee (fingers crossed).

Grammar I and Grammar II

By |

I've spent the past seven years in and around writing centers, an experience which has sharpened my writing and deepened my frustration at how many educators see grammar as the sum total of good writing.